
Colour spec sheet
Every colour by brand, name and code, mapped to the room and surface it belongs on. Hand it to any painter, done.
Two hours with a senior designer, at your place or in our Hobart studio. You leave with a finished palette, a materials board and a shopping list with actual product codes.
Colour looks different in Tasmanian light, at 8am, in your hallway. We bring the big sample boards and test things in your actual rooms before anyone buys a litre of anything.
Design is a stack of decisions. These are the documents those decisions live in.

Every colour by brand, name and code, mapped to the room and surface it belongs on. Hand it to any painter, done.

Physical samples of your key finishes where stock allows. Seeing oak next to your tapware beats imagining it.

Every product with supplier and code, plus a rough quantity guide so you buy once and buy right.
One session does the work of weeks of swatch anxiety. Here is how it runs.
You send photos and a rough idea of what you like. We arrive with candidate palettes already shortlisted, not a blank page.
Two hours in the actual rooms, testing samples against your light, floors and fixed finishes. Decisions get made on the spot.
Within two days you get the written schedule: colours, codes, materials, suppliers and quantities.
A fifteen-minute call a week later, once you have lived with the big boards. Adjustments are part of the service.
We spent a year arguing about white paint. Ninety minutes with Sarah and it was sorted, and she was right about the hallway.
That covers the session, the spec sheet and the follow-up call. Bigger homes or trickier briefs might run longer, quoted upfront before we start.
Something else? +61 7 3862 4189 gets you a person, not a menu.
Two hours, one palette, zero more weekend trips to the paint shop. Book a consult and we will lock a session time.